Information

"MIRAGE" was performed in the Ars Electronica Festival 2014.

Organized by
GRINDER-MAN
Co-organized by
Ars Electronica Linz
Collaborated with
RIKEN
Supported by
The Japan Foundation, Arts Council Tokyo (Tokyo Metropolitan Foundation for History and Culture)

About "MIRAGE"

An 8 minute immersive experience by traversing present and past.

"MIRAGE" is the first performing art ever in the world to experience with immersive. This experience reminds us that we generate ourselves at each moment in our highly subjective ambiguous world. This expression is created by a performance art group GRINDER-MAN based on the Substitutional Reality (SR) System an experience platform developed by RIKEN Brain Science Institute in Japan.

Unlike the general performing arts for the several audiences, "MIRAGE" is generated by the interaction of the two dancers and the one participant. As the participants, you are invited into an 8 minute immersive experience, using a head-mounted display fitted with headphones and a camera to capture live scenes.

While unaware of the participant, dancer in front of the eyes is changed over to the dancer that has been recorded in advance. In addition, by overlapping the live scene and recorded ones, participants will experience simultaneous past and present. It is very difficult to tell which dancer is really existing or which is not. Each participant will be required to discover their own "reality".

The aim of "MIRAGE" is to encourage you to establish yourself in such unique, uncertain world. Indeed, it obviously happens that they try to locate themselves with sensory information available during the performance, such as the feeling of airflow on the stage, the occasional touches of dancers, the vibrations of the floor, and subtle changes in illumination.

The first "MIRAGE" was performed at the National Museum of Emerging Science and Innovation (MIRAIKAN) in Japan on August 2012. The audience sat back on the seats behind the participants, and watched the dance performance. At the same time, they can see what participants were experiencing during the performance as the subjective views of the participants were projected on a screen next to the stage. They find out that multiple performances are going on at the same time in a same place. "MIRAGE" will also affect to recognize the reality of the audience not only participants.

CREDIT

Performance planning and direction
Hitoshi Taguchi(GRINDER-MAN)
Choreographer, Dancer
Makiko Izu (GRINDER-MAN), Taiju Matsumoto
Concept planning and development
Naotaka Fujii (RIKEN)
SR system design and development
Sohei Wakisaka (RIKEN)
SR system program support
Yu Okano (RIKEN), Takamitsu Hamajo (RIKEN), Jun'ichi Nakano (buffer Renaiss), Michihiko Ueno, Naoto Noguchi, Seiya Takei
Music and sound design
evala (port, ATAK)
Lighting design
Yasuhiro Fujiwara
Production manager
Satoru Oyamada (Haletoke Inc.)
Technical director
Yutaka Endo (LUFTZUG)

About "SR system"

The Substitutional Reality system is an experience platform that blurs boundaries between live and past. It was developed by Laboratory for Adaptive Intelligence at RIKEN Brain Science Institute in Japan. In contrast to the technologies "to assimilate virtual to real", which have been developed in Virtual Reality and Augmented Reality, the SR system manipulates "the users' subjective reality" itself by inserting the past seamlessly into the present.

A participant wears a head mounted display(HMD) fitted with headphones, a live camera and a head orientation sensor. Through the HMD, the participant can see the live scene from the own eye level camera, and the past scene which were recorded from the same point of view. When the live scene is seamlessly switched to past scene in this situation, the participant cannot recognize whether own experience is live or not.

Past scenes were recorded in advance by a panoramic video camera. By using the head orientation sensor, the participant can look around freely in the same condition as live view among the past view. Therefore, the participant subjective recognition itself cannot distinguish past from present, and it is contained in a linear sequence as a seamless experience.


Exhibitions

Ars Electronica Festival 2014

  • Date
    4 September - 7 September, 2016
  • Place
    Mariendom (Linz, Austria)
  • URL
    www.aec.at/c ...

the National Museum of Emerging Science and Innovation

  • Date
    24 August - 26 August, 2012
  • Place
    the National Museum of Emerging Science and Innovation (TOkyo,Japan)
  • URL
    www.miraikan.jst.go.jp

Media

現実と虚構を区別できなくする画期的新技術「SR システム」を用いた舞台『MIRAGE』が公開

WIRED.JP - August, 2012
http://wired.jp/2012/08/23/sr-mirage/


Artist's profile

Naotaka Fujii

Head of Laboratory for Adaptive Intelligence, BSI, RIKEN and CEO of Hacosco Inc. Born in Hiroshima in 1965, Opthalmologist, Neuroscientist, Entrepreneur and Artist
twitter.com/naotakafujii →

GRINDER-MAN

GRINDER-MAN is a performance group formed by director Hitoshi Taguchi and choreographer Makiko Izu, aiming to create physical expressions that embrace carefully crafted spontaneity: in other words, the concept of “Here and now”, through producing, directing and choreography. Their theatrical productions have featured at museums, theatres and on the streets. They also collaborate and contribute to many varied projects, across multiple genres beyond art.
grinder-man.com →

evala

Musician, sound artist. Born in Kyoto, 1976. Evala is known for his cutting-edge electronic music, and has shared his creativity in many national and international music/art festivals, performed and provided topological transform-sound design for public spaces, stage, films and ads. His recent works include CD ‘acoustic bend’, installation ‘Otocyon megalotis-‘Bat-eared Fox’’, as well as collaborations with Perfume, ONE OK ROCK, and Sakanaction.
evala.jp →